Diana Kingston-Gabai ([info]dianakingston) wrote,
@ 2007-05-20 19:53:00
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Entry tags:non-sequitur

And Me Without A Black Dress
Thursday was, to quote Melaka Fray, a "Bad day. Started bad, stayed that way."

First I lost a bet with my friend Hannah, and had to read "All-Star Batman #5". Which I thought I could do, being prepared for Miller's usual foolishness. So imagine my surprise when his depiction of Wonder Woman sent me flying into a volcanic rage. I was screaming, throwing the comic around, ripping pages. I'm a little embarrassed about it now, but you know what? After MJ, and the hypocrisy of the Citizen Steel scandal, and the shameless exploits of Superslut, and Storm becoming a trophy wife, and Sue giving her husband a goodbye boink before abandoning her children... gah. I just couldn't take it anymore. Lately it feels like DC and Marvel are bombarding me with misogynstic and sexist tripe, and I'm not a violent person, but I swear, if I'd had a baseball bat and Frank Miller was within swinging distance, I would've been seriously tempted to crack him upside the head and let the misogyny drain out.

Fortunately, there's a cure for exposure to Neanderthalism, and her name is Shaenon Garrity. I sat myself down and reread the first few months of "Narbonic: The Director's Cut" to cheer me up; worked like a charm (the Theftbot gag and Madblood's reaction gets me giggling every. single. time). Of course, then I started asking myself why in hell was I still bothering with mainstream comics when there are women like K. Sandra Fuhr, Ursula Vernon, Shaenon Garrity and Aeire doing superior work online (and no small number of highly talented men as well - Rich Burlew, Randy Milholland, Kristopher Straub, Justin Pierce, Scott Christian Sava and so many more who don't need Power Girl's tits to tell a good story). But it's sort of a "righteous man in Sodom" thing - I stick around for guys like Brubaker, Whedon and Carey, and maybe the Lunas have another "Ultra" up their sleeves, and there's always Vertigo...

Anyway, I digress. A few hours later, I found out that "Veronica Mars" had been cancelled. My first reaction was "Okay, no shock there, the show hasn't exactly been at the top of its game lately." Except the first season was flawless, and that's what I remember when I think of the series, and even at its weakest it still stood head-and-shoulders above most of its contemporaries (mostly because Kristen Bell, unlike Tyra Banks and the Fashion Police, can string more than two sentences together without sounding completely stoned). Bye bye, 21st Century Nancy Drew. I'll have a proper eulogy when I do my end of the season review.

To top it all off, Jeff Lester - one of the great critics of the comics blogosphere - announced his departure from The Savage Critics at the end of the month. There aren't many online individuals whose opinions I trust wholeheartedly; Jeff is one of them, on account of his wit and his ability to cut through the BS and pinpoint, with total clarity, the things that need to be said. I remember my surprise when news of the impending Black Panther/Storm marriage broke; most people were debating canon vs. retcons, but Jeff was one of the few who drew attention to Storm's status as an independent female icon, an African-American woman leader of a prominent superteam, and how that was being threatened for the sake of a sales boost. When Wolverine #50 came out, Jeff again hit the bullseye by pegging Marvel's great flaw: its administrators have bought into their own hype to the extent that not only do they publish crappy comics, they do so secure in the belief that they're releasing absolute gems.

On May 26, the blogosphere will shine a little less brightly.

And then, of course, my Internet connection drops dead over the weekend, forcing me to post this long after it's relevant.

So... yeah. Thursday sucked.




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[info]prodigal
2007-05-20 05:34 pm UTC (link)
The act of reading ASBAR 5 caused me physical pain. Aside from Dini's run on Detective Comics, I can't think of any books set in either the mainstream Marvel or DC universes that I buy anymore.

I highly recommend PS238 and Spider-Man Loves Mary Jane, if you're not already reading them.

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[info]dianakingston
2007-05-20 08:08 pm UTC (link)
Well, the DCU's lost me completely, but there's still a handful of comics I'm enjoying over at Marvel (all of which are pretty much self-contained and uninvolved with the greater MU; coincidence? I think NOT!).

I'd heard about PS238 - superhuman preschool or somesuch - but I've never been able to get my hands on any issues. Still on the lookout. :) As for Spider-Man Loves Mary Jane... I'm avoiding it largely because it's been likened to the Marvel Adventures line in terms of all-ages simplicity, and I can't really get into that.

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[info]prodigal
2007-05-21 03:21 am UTC (link)
I believe you can get the trades of PS238 (which is about elementary school-age kids with superpowers who attend classes in developing their powers as well as regular subjects in a subterranea facility beneath a mundane school) at the author's website: http://www.ps238.com

If not, Amazon should be able to hook you up.

As for SMLMJ, "all-ages simplicity" really just means that you don't have to be a specific age to appreciate it. I'm nearly 39, and I fell in love with the book because it's that most dread of words in the modern comic book market: Fun.

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[info]dianakingston
2007-05-21 10:11 am UTC (link)
I'll check 'em out, then. :)

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[info]hdefined
2007-05-20 07:41 pm UTC (link)
I have to admit: I like ASB #5, not in the way I like Fables or Osamu Tezuka books, but because it was just so insane but not insane enough to let you comfortably draw the conclusion that it's supposed to be insane. I'm not sure I've ever read a comic series in which I was left in doubt of the integrity and reliability of the creator. There are creators who just don't get it and there are good creators who just have off periods, but Frank Miller's track record has been pretty damn amazing, and I've also read his conversation book with Will Eisner in which he admits he wants to fuck with people's expectations, so . . . I'm having fun guessing.

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[info]dianakingston
2007-05-20 08:21 pm UTC (link)
At this point, the only way Miller could confound expectations would be to write female characters who weren't whores or cartoonish man-hating psychos.

If ASB is a joke, it's not particularly funny; what's more, parody doesn't provide a blanket cover for what Miller's been doing. I mean, where's the funny in Wonder Woman's depiction (or, really, the depiction of any woman in a Miller story since "Sin City: The Hard Goodbye")? It's just misogynistic tripe, the same sort of thing Chuck Austen was guilty of, only Miller has a past reputation that earns him a Get Out of Jail Free & Keep Up The Woman-Bashing card. I liked the guy's early work too, but I haven't seen that Miller in a long, long time.

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(Anonymous)
2007-05-20 11:29 pm UTC (link)
But it's not just Wonder Woman and Black Canary who act psychotic and ridiculous, it's everyone - those two just happen to wear more revealing clothing. Most of the males so far are violent thugs, with Dick having an axe fetish and even Alfred taking stress out on a punching bag.

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[info]dianakingston
2007-05-21 10:10 am UTC (link)
Alfred isn't on the cover, sporting a thong and sticking his ass in the air. Apples and oranges, really, especially since the men (in Miller's world view) are approved characters - frothing psychosis aside, you're obviously supposed to think that Batman is "cool" and that Alfred's a "badass". There are no such up-sides to Miller's female characters.

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[info]hdefined
2007-05-21 01:31 pm UTC (link)
I don't think I'd want to cross either of them in a dark alley. They both seem as high strung as the rest and ready to break out a beating.

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[info]hdefined
2007-05-20 11:29 pm UTC (link)
But it's not just Wonder Woman and Black Canary who act psychotic and ridiculous, it's everyone - those two just happen to wear more revealing clothing. Most of the males so far are violent thugs, with Dick having an axe fetish and even Alfred taking stress out on a punching bag.

(Reply to this) (Parent)


[info]kazekage
2007-05-22 04:21 pm UTC (link)
I haven't read ASSBAR #5 just yet, but from all indication Frank Miller has once again reaffirmed his position as Patron Saint of Pigeon Chests. And oh my lord it's time to retire the "It was supposed to be a joke!" defense, as it is a) always trotted out when something fails to have intended effect on the audience to make it seem like they meant to do it all along and b) absolute horseshit.

Sorry, Miller apologists--The evidence is in, and points to the fact that This Is What Really Goes On In Frank Miller's Head. He's comics' own Mel Gibson.

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[info]hdefined
2007-05-22 11:14 pm UTC (link)
Or he could purposely be messing with everyone as he admits in his conversation book with Will Eisner. It's not much more forgivable, but it's better than chalking him up as a loon (which I think pretty much all of his prior work refutes).

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[info]kazekage
2007-05-23 02:04 am UTC (link)
"(which I think pretty much all of his prior work refutes)"

But it really doesn't, because the assertion depends on two (I suspect) diametrically opposed readings of the themes in his work. I will, however, meet you halfway and say that I was wrong to say Miller's a loon--that was hyperbole borne of irritation. The evidence does not support the fact that he's a nut.

The evidence does support the following assertion: Elements of Miller's point of view (both personal and world) bleed throuugh into everything from 300, the more revelatory parts of Sin City or Dark Knight Strikes Again, to the first 4 issues of ASSBAR. He wears his point of view on his sleeve as much as Steve Ditko did during his Mr. A days. To Miller: Men are MANLY men, women are either men with breasts or whores prone to violence (at best) and a punch or kick to the face solves all of society's ills, and he who can hit the hardest is right. Force justifies everything, and to question this is to volunteer yourself for the next chin-check.

That's a perfectly acceptable worldview. When you're nine.

What is the point of "messing with people" though? What happend to creating art to provoke thought, or dammit, just to tell a decent story? There's nothing more tedious than jerking around the readership (or, to be more accurate, I suspect: jerking off on them) and treating them with contempt--lord knows look what they did to Mark Millar of Byrne when their utter contempt for the people who subsidised their art?

"Purposely messing with people" only proves my point--Given the bent of his ouerve in later years, which celebrates violence as a solution to all his problem, pushes (or "messes with"--it's the same thing--intimidating those who dare question) around people who don't have comic companies publishing his obnoxious treatises and attempts to marginalise his critics.

No, Miller's not a loon. He's a schoolyard bully who made good.

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